In early March of 1992, at the Plexus International Storage in Cagliari, Anna Saba presented the installation “Plexus Imprinting, A Story 1986-1992”, in which was exposed the full collection of her Plexus art books, made with photos, original documents and relics from Plexus events from 1986 to 1992. On June 13, the 3rd installation Storage Calls NYC was staged at the Plexus International Storage by Gaetano Brundu as an art action in progress to create new Plexus artworks produced in the virtual space of the view finder of his camera from re-elaborated images of Plexus relics and records.
From Plexus Storage Calls NYC by Gaetano Brundu:
This Act Three of which I assume the whole responsibility, may be the first in a line of
call to other Plexonians centers: but New York is New York, it is a little the motherhouse, a house who is imaginary of homeless to, virtual as some artistic reality and our own existential reality, virtual, is more real than real. This call NYC is recall, is the continuity of a poetic dialogue living for several years, it founds on some objects produced by plexonians of New York, relics of Plexus history. From those objects and from their interaction with other relics kept in the Storage, originates a production of images, poetic tensions in a ephemeral and virtual space, built at the moment in the view finder of the reflex; so the photographs constitute the work of art, the work produced by the third installation of the Storage...In side of decayed and entangled space of San Francesco al Corso in Cagliari, ideally struggling with barbarous and barbaric intrusions of the present and past; struggling with darkness and profusely laid down entropy will, the relics of some stories happened in NYC during memorable evenings, suggest new adventures for creative fancy, another trip amongst thousand real and virtual trips that are possible on the yarn of Plexus network, net that vibrates in known and unknown canvasses, from the more subtle, rational and lucid to the craziest and ricketiest.
On July 4, in Cagliari, at the Bastione Santa Croce, was managed by Gaetano Brundu a new artists call in direction to the Eco 92 Sustainable Development Forum of Rio de Janeiro. It was made to collect more contributions for the fleet of projects towards the 1992 Plexus Columbus Reconciliation Event, that was planned as a parallel event to the1992 Columbus Consortium international conference on the well being in the XXI century. New contributions arrived from artists in Princeton, Sidney, Rome, Atlanta, Amsterdam, Dakar, Sweden, Columbus Ohio and from Cabo Frio in Brasil. An art shuttle plummed serpent made Micaela Serino carried on board a Plexus Columbus Egg and a new proposal for a Plexus Passport with new operative outlines for the advancement of Plexus international art network. THE PASSPORT in New York will take you to discover THE PLANET OF PLEXUS. A newsletter in a limited edition, every four months. Subscribe now! The BLACK BAG in Rome will advertise available products and projects (artworks, music and video cassettes, posters, T-shirts, pins, stickers, etc). Ready to go, produced by the Artists in the First Person to promote in Goree-Dakar the opening of a new Art World Fund of Plexus International, in collaboration with ISALTA Mediterranea, in order to survive the masters of the living traditions. THE STORAGE in Sardinia will keep works, documents and materials concerning Plexus history to utilize then for shows.
On 26 September of 1992, at the Plexus International Storage, in Cagliari, it was staged the installation Multiples of Black by Antonello Dessi, with perfomance by Carolina Melis. Then, on 13 October, after the Columbus Reconciliation Forum held in Carloforte, Lorenzo Pace and Patricia Parker performed at the Plexus International Storage the continuation of Plexus art slaves journey, while George Chaikin and Sandro Dernini performed the act of retrieving Plexus data from the Storage by carrying around the George’s blueprint retina device.